a space waiting to be made full; of potential, for receding into. An arm off of a larger body. A temporary withdrawal or cessation from the usual labour or activity; pauses, intervals and halts. To resist exploitation, even momentarily.
Ken Isaacs’s Superchair (1967), with a page from R. Buckminster Fuller’s ‘I Seem to Be a Verb’ (1970), designed by Quentin Fiore and Jerome Agel, in the background.
